hylomorphism

The model this account rejects: form imposed on inert matter from outside, both pre-existing their union. The counter-case is the brick — the principle of individuation is neither the clay nor the mould but the operation exchanging energy between them, down to the smallest components of wet earth and the finest details of the mould. Working the clay produces a homogeneity letting energy transmit in all directions, which the account calls internal resonance. So "the artist has an idea and executes it in material" is a bad description of anything that actually happens in a studio, and it is also, precisely, what a prompt-to-output pipeline looks like from outside — which is where individuation without a wound starts.