mikykray.xyz

Works

selected, 2023 – 2026

Working with and against contemporary technological processes to test where their capacity to model, represent, and stabilize the world breaks down. Rather than producing coherent images or seamless representations, the works are ones in which digital abstraction falters and material, bodily, and ecological entanglements insist on being felt.

Central to the practice is the failing of various boundaries: an organism losing the felt distinction between itself and surrounding space, the line separating the animate from the inanimate, or one class of thing and an adjacent class. The human mind was built for a world with a low density of ambiguous objects to parse these boundaries. Now, our capacity to adapt to the variety and intensity of thresholds is outpaced. What interests me is the emotional fallout of this overload: a suspended vigilance, a specific contemporary loneliness, or mourning something that was never fully there to be lost.

The workflow negotiates these boundaries through a labor-intensive process of layering, transfer, and various forms of physical manipulation. A recurring practice of hand-dotting with ballpoint pen, inspired by procedural noise algorithms such as Perlin noise, reintroduces noise bodily. Digital fragments generated through AI image generation and custom programming serve as found footage and are materially reworked into idiosyncratic forms that appear to have grown rather than been built. AI is not treated as the autonomous intelligence its nomenclature suggests, but as a situated tool whose parameters are intentionally disrupted to expose the infrastructure it is built upon. By prompting minimally and halting image generation at early stages of refinement, the unformed interior of the process is revealed before it collapses into its typical forms of representation. Embracing error, misalignment, and noise, the work strips technology of its narrative of progress, using a lowtech framework as an active mode of resistance against the cultural demand for smoothness, transparency, and optimization.

CoreCore (detail)
Coreimage transfer on cotton, PETG, ESP32, (handprinted) PLA, metal, screens, sensor, cables
app. 100 × 180 cm, 2026
DogDog (detail)
Dogimage transfer on cotton, ink
85 × 85 cm, 2026
AA (Autophagy, Arrest)AA (Autophagy, Arrest) (detail)AA (Autophagy, Arrest) (detail)AA (Autophagy, Arrest) (detail)
AA (Autophagy, Arrest)image transfer on cotton, PLA, vinyl, print on acetate sheet, metal, ink
app. 160 × 160 × 6 cm, 2026
Genotype–Phenotype MapperGenotype–Phenotype Mapper (detail)Genotype–Phenotype Mapper (detail)
Genotype–Phenotype Mapperimage transfer on cotton, 3D-prints, handprinted PLA, metal, ink
app. 87 × 98 × 6 cm, 2025
DiffusionDiffusion (detail)Diffusion (detail)
Diffusionimage transfer on cotton, 3D-prints, metal, touch fastener, ink
app. 183 × 76 × 4 cm, 2024
Micro-sexualities (1)Micro-sexualities (1) (detail)
Micro-sexualities (1)ALLpha, bacteria, fungi, PETG, handprinted PLA, UV-print on plexiglass
99 × 93 cm, 2025
POX: Residue ProtocolPOX: Residue Protocol (detail)POX: Residue Protocol (detail)
POX: Residue Protocolthermoformed PETG, print on plexiglass, handprinted PLA, ink pen, glue, laser print on transparent plastic film, laser print on decal
6 boxes app. 22 × 31 cm, 6 boxes app. 31 × 22 cm, 2025
Latent Space Horror 0491f51c-8072-4a83-a597-827f912825a4Latent Space Horror 0491f51c-8072-4a83-a597-827f912825a4 (detail)
Latent Space Horror 0491f51c-8072-4a83-a597-827f912825a4plexiglass, 3D-prints and hand-printed PLA
44 × 27 × 3 cm, 2025
EMerGENT (First Edition)EMerGENT (First Edition) (detail)EMerGENT (First Edition) (detail)
EMerGENT (First Edition)68 pieces, plexiglass and handprinted PLA
each app. 132 × 93 × 5 mm, 2025
Eon of the Green: Area DeltaEon of the Green: Area Delta (detail)Eon of the Green: Area Delta (detail)
Eon of the Green: Area Deltavideogame, published by Drifted Matter
2023
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